Process: BBQ Viking Pig

Time for another illustration process post! Here’s the request: A happy pig in a viking helmet. The helmet needs to be cock-eyed so that one of his ears is poking out and he needs to have a fat belly. I’m going to go into the actual Photoshop process more than I ever do, cialis usa ask so it might get a bit technical. Here is the first sketch:

I decided to do another one with his face turned more toward the viewer:

I couldn’t decide between the two at first, viagra generic viagra and ultimately chose to send the first sketch because I liked his expression better. After reviewing the sketch, medical the client decided that they wanted just a “head shot”, not the full body, and they wanted to see just a little more of his face (I knew it!) The hat needed to be skewed just a little more as well.

The sketch is approved and the pig as been christened Rufus. Final comments are to fatten him up a bit by addding another chin.

The first thing I do is draw the individual elements, such as the head, ears, eyes and such using the pen tool in photoshop. Then I draw the “mask” shapes I use for shading and helping to further define the other elements. I draw these masks in a bright color so I can tell them apart from everything else and so I can select them quickly in the layers palette

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It seems these days that I find myself using only two brushes, maybe three: the Chalk brush that is part of the Photoshop’s default brush set and a custom charcoal brush I made. I select the color of the element I am working on with the eyedropper tool, set the blending mode to multiply (or to screen depending on what I am doing), and usually bump the opacity down to around 30-40%.

You can see on the image above how the masking shapes work to help create shading and definition. Here I have select the eye mask, turned the layer off so I can see what I am doing, and select the head layer to do the actual shading.

More work done using the masks. They helped me define the chins and the shape of the ears. I continue to work in this way until I get to the point to where I feel like the illustration is complete and I send it off for final review!